Learning for everyone: how diversity, equity, and inclusion shape modern eLearning
When companies talk about diversity and inclusion in learning, they usually start with the topics: which groups we include, whose perspectives we show. But there is a layer that stays almost invisible until we ourselves sit on the learner’s side — the design of the course itself. How the screen looks, how the text sounds, in what order the reading flows and how easily the brain processes every new piece of information.
In our work on the full outsourcing of the L&D function, focused on eLearning development, we keep arriving at the same conclusion: accessibility is not a list of technical rules but a matter of design quality. An interface designed with people with dyslexia, ADHD, the autism spectrum, anxiety and dyspraxia in mind turns out to be a better interface for everyone. And cognitive science often tells us more about a course than any formal procedure.
No two courses look alike — every organisation has its own people, its own language and its own barriers to inclusion. That is exactly why this book offers no universal recipes, but principles you can make your own: a way to think about accessibility as a professional standard.
What insights will you learn?
- Accessibility is a design discipline, not a technical note. Most recent research and best practice converge on one point: an accessible course is recognised by the designer’s decisions — sufficient contrast, clear heading hierarchy, meaningful alternative descriptions, a readable typeface. Practical guides for designers translate the WCAG 2.2 criteria into the language of the visual environment. We follow the same approach: we solve accessibility on the screen, not after the course is finished. When accessibility is embedded from the script stage, it costs no extra time and does not look like a compromise.
- Contrast is a matter of attention. Low-contrast text makes reading harder for everyone and almost impossible for people with reduced vision. The practical benchmark of 4.5:1 for text and 3:1 for interactive elements saves the eyes effort, and the saved effort goes into understanding. The same applies to line and letter spacing: they keep the course readable even at strong magnification.
- Focus is visibility, not a feature. People who navigate only with a keyboard or a screen reader rely on a clear focus indicator and a predictable order of elements. For us this is part of the course production standard: large enough click targets, understandable error messages and a sequence that leaves no one lost on the screen. Animations and sound, too, must stay under the learner’s control: pause, mute and reduced motion keep the course accessible to people sensitive to stimuli, without taking the dynamics away from anyone else.
- One in five people on your team perceives the world in their own way. Research shows that between 15 and 20 percent of people — roughly one in five employees — live with cognitive challenges: dyslexia, ADHD, the autism spectrum, anxiety or dyspraxia. A course that does not account for them, even without realising it, loses the attention of a fifth of its audience from the very first screen.
- Language is part of cognitive design. Short sentences, clear structure and predictable wording reduce the load on working memory. This is where linguistics and neuroscience meet: when we avoid ambiguity and convoluted metaphors, we help everyone — most of all people with dyslexia and those for whom the language of the course is not their mother tongue.
- Science stands behind the good design. Cognitive load theory and the principles of multimedia learning show that working memory has narrow limits: duplicated information, overcrowded screens and decorative elements steal resources from understanding. A good course leaves the brain enough space to think about meaning, not about form.
- Interactions turn the topic into a personal experience. Scenarios, short videos, self-check questions and open reflection prompts give employees a safe space to make decisions.
More than a set of technical guidelines, this book places accessibility at the heart of content creation — where cognitive science, visual design and digital production work together to make learning better for everyone.
With the full outsourcing of the L&D function, accessibility is part of a larger ecosystem rather than a standalone task: it starts with strategy and scripting, moves through the design and development of the course, and reaches operational stability — version control, updates and measuring real adoption. At the heart of this ecosystem sit custom eLearning and a carefully chosen mix of learning formats, and the learning hub built along the way becomes a living asset that keeps delivering value long after the courses go live.
If you want eLearning in your organisation to reach everyone — no matter how people perceive and process information — we would be glad to talk. As a partner for full outsourcing of the L&D function, we put accessibility at the foundation of production, not at its end.
More practical L&D insights are on the way.
